“We were migrants and we settled in a world of migrants,” he recalled. “We worked a lot at that time with Brazilians who arrived in France after having been tortured. Today we don’t talk very much about this period, but it was brutal. All those people who in 1973 left Chile and came here after the overthrow of Salvador Allende. And Paraguay, Uruguay. …”The photography that came out of this period - immigrants at work and at home with their families in the high-rises of the Parisian outskirts - seem a far cry from the work of Genesis, but I think you can see the echos in the landscape shots of the tower blocks.
Sebastião Salgado: Migrant in a World of Migrants (NY Times)